Knowing that the
DeadPan style of photography eliminates features of the work that can portray
emotion or can be interpreted by the viewer, I was curious to see how this
could be done successfully through video. I think Edward Burtynski was wise to
choose a factory as his setting for his film, considering the monotony of the
backdrop through its vast length and repetitious motions, sounds, and colors.
Despite the occasional eye contact within the first few minutes and the camera
panned the length of the factory, there was little emotion to be felt; however,
as a viewer, I was intrigued by these monotonous and unending scenes because it
kept me wondering if there was something more to come, thereby forcing me to
analyze every single detail that I could. The vastness and sameness of the setting
was reinforced not only by the size of the facility, but also by the workers
and how they seemed to blend in. While each worker was on their own
individually performing a task, the quantity of workers made them appear as a
colony of ants that was visually appealing to observe as a whole.
In analyzing the
title, I quite enjoyed the connection between it and the workers in the
facility. The comparison between the mural painting of a field of sunflowers
and the workers in their yellow uniforms made for a lovely juxtaposition – a
natural and organic landscape brimming with yellow flowers contrasting with a
manmade industrial landscape filled with yellow uniforms.
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